Lives
and works in Los Angeles
1977 Born in Houston. Raised in Louisiana
2005 MFA, Art Center College of Design, Pasadena, CA
1999 BFA, Bard College, Annandale, NY
Solo Exhibitions
2011
Ribordy Contemporary, with John McAllister, Geneva
Metro Pictures, New York
2010
John David Rhodes, Hammer Projects, Los Angeles
2009
Reconstruction or Something, Vilma Gold, London
Isabella Bortolozzi, Berlin
Statements, Art 40 Basel
Misako & Rosen, Tokyo
2007
Ruined Dualisms, Overduin and Kite, Los Angeles, CA
Recurrency, Guild & Greyshkul, New York, NY
Group Exhibitions (selected)
2012
Remote Control, ICA, London
2011
Dystopia; After 4000 Years Of Sci-Fi, CAPC, Bordeaux
101 Collection: Route 2, Undisclosed Destination, CCA Wattis Institute for Contemporary Art, San Francisco
2009
On From Here, Guild & Greyshkul,
New York, NY
Abstract America: New Painting and Sculpture, Saatchi Gallery, London, (cat)
Second Nature: The Valentine-Adelson Collection, The Hammer Museum, Los Angeles,
Younger than Jesus,&The New Museum, New
York, NY, catalogue (upcoming)
2008
Prospect.1 New Orleans, curated by Dan
Cameron, New Orleans, LA, catalogue
NOW: Selections from the Ovitz Family Collection, Arizona State University Art Museum,
Tempe, AZ
KABUL 3000 Love Among the Cabbages, Zero,
Milan, Italy
Nobody Puts Baby in a Corner, curated by Sonia Campagnola and Isabella Bortolozzi, Berlin, Germany
Self-Portrait,James Fuentes Gallery,
New York, NY
2007
Post Rose: Artists In and Out of the Hazard Park
Complex, curated by Sterling Ruby,
Christian Nagel, Berlin, Germany
Distinctive Messengers, curated by Simon
Watson and Craig Hensala, House of Campari,
York, NY
USA Today, The State Hermitage Museum,
St. Petersburg, Russia (traveling), catalogue
Between Two Deaths, curated by Ellen
Blumenstein and Felix Ensslin. ZKM Center
and Media, Karlsruhe, Germany, catalogue
Aspects, Forms, and Figures, curated
by Joao Ribas and Becky Smith, Bellwether
New York, NY
2006
Dualism #2, ArtRock, Rockefeller Center,
New York, NY
2005
LA Weekly Biennial, curated by Doug Harvey,
Track 16, Los Angeles, CA
Autonomy,curated by Sterling Ruby, Foxy
Production, New York, NY
2004
Faith,curated by Matthew Johnson, Champion
Fine Art, Culver City, CA
2001
Wolf Songs for Lambs, curated by James
Fuentes, The Space, New York, NY
Screenigs
2007
Between the Lines, Brooklyn Academy of
Music, Brooklyn, NY
Values,Art in General, New York, NY
Selected Bibliography
2011
Haber, John, Latest News and Views, 2.16.11 - Life Support, Haberarts.com New York
2010
Hawkins, Richard, ‘Best of the Year, The Artists’ Artist: Hammer Projects: Stephen G Rhodes’, Artforum, December 2010, XLIX, No.4, p.199
Holte, Michael Ned, ‘Openings: Stephen G. Rhodes’, Artforum, October, XLIX, No.2, 2010,
pp.262 - 265
Rhodes, John David , Stephen G. Rhodes, About The Exhibition, Hammer online, June 19 - September 26, 2010
Stephen G. Rhodes, Creamier - Contemporary Art In Culture, Phaidon Press Limited, 2010, p. 202 -203
Asthoff, Jens, ‘Stephen G.Rhodes’, Artforum, February 2010, XLVIII, NO.6, p.214
Moshayedi, Aram, ‘Return To Ruin - Stephen G. Rhodes’, Metropolis M, April/May No.2
2009
Gavin, Francesca, ‘Hung and Drawn: Stephen G Rhodes: The Art of Politics, Archaeology and Exorcism’, November 2009, p162
Maerkle, Andrew, Art Brief: Stephen G. Rhodes: ‘There
is No Bear Bear Ladder’, The Japan
Times, 1 May
Del Vecchio, Gigiotto. “An American De-Mithology,”
Mousse, January, p. 50-51, ills.
Schambelan, Elizabeth. “Being There,” Artforum,
January, p. 172.
2008
Wooldridge, Jane. “The Art Basel Cheat Sheet: What you
have to see,” The Miami Herald,
December 5.
Houlihan, Mary. “Art show breathes life into New Orleans,”
Chicago Sun-Times, November 30.
MacCash, Doug. “Stephen G. Rhodes, Prospect.1 New Orleans,”
The Times Picayune,
November 7.
Smith, Roberta. “Kaleidoscopic Biennial for a Scarred
City,” The New York Times, November 3,
C1, ill.
2007
Holte, Michael Ned. “Stephen G. Rhodes,” Artforum,
December, p. 361, ill.
Campagnola, Sonia. “Live from Los Angeles,” Flash
Art, November-December, p. 100-103, ill.
Taft, Catherine. “Stephen G. Rhodes,” Modern Painters,
November, p. 95, ill.
Berardini, Andrew. “Stephen G. Rhodes: Ruined Dualisms,”
ArtReview, November, p. 204, ill.
Moshayedi, Aram. “Stephen G. Rhodes at Overduin and Kite,”
www.afterall.org, October 30.
Brooks, Amra. “Must See Art,” LA Weekly, October
3.
Wilder, Matthew. “Critics’ Pick: Stephen G. Rhodes,”
www.artforum.com, October.
Watson, Simon. “Stephen G. Rhodes,” Whitewall, Fall,
p. 58-59, ill.
Grider, Nicholas. “A Place for Everything and Everything
in its Place,” www.artslant.com,
September 9.
Setton, Dirk. “Worshipping the End,” Texte Zur Kunst,
September, p. 313-317, ill.
USA Today: New American Art from the Saatchi Gallery. Exhibition
catalogue. Edited by Meghan
Dailey and Norman Rosenthal. Published by Royal Academy of the
Arts, London, England.
Blumenstein, Ellen. “Name Your Desire.” Between
Two Deaths. Exhibition catalogue. Edited by
Ellen Blumenstein and Felix Ensslin. Published by ZKM Center
for Art and Media Karlsruhe,
Germany. pp 16-25, ills 216-219.
Rickels, Laurence A. “Second Death.” Between Two
Deaths. Exhibition catalogue. Edited by
Ellen Blumenstein and Felix Ensslin. Published by ZKM Center
for Art and Media Karlsruhe,
Germany. pp 94-105.
Cotter, Holland. “Aspects, Forms and Figures,“ The
New York Times, March 2, E30, ill.
Falconer, Morgan. “Stephen G. Rhodes at Guild & Greyshkul,
New York,”
www.saatchi-gallery.co.uk, February 8, ill.
Robinson, Walter. “Weekend Update,” www.artnet.com,
February 7, ill.
Ross, Lauren. “Stephen G. Rhodes,” The Brooklyn
Rail, February, ill.
Cotter, Holland. “Stephen G. Rhodes,” The New York
Times, January 26, E37, ill.
2006
Gordon, Margery. “Art Basel Miami: NADA Gets a Nod on
Opening Night,” www.artinfo.com,
December 6.
2005
Cotter, Holland. “Autonomy,” The New York Times,
September 30, E29.
Writing
2008
“Interregnum Reanimated: The Living Cemetary,” World
Picture 2: Obvious,
www.worldpicturejournal.com
2006
“New Orleans Land/New Orleans World,” Bidoun, Spring
2006. |