| Vilma Gold is pleased
to present a new exhibition of work by Danish artist Thomas
Hylander. This will be Hylander’s first solo show in a
commercial gallery in London.
For this exhibition Hylander presents a series of new paintings
that seek to capture the fleeting quality of memories arising
from a return journey, by the artist, to a place of his childhood.
There is a quixotic character evident in the work’s
ambition to recall the sense of place Hylander holds but also,
conveyed in the work’s muted tones, is an awareness
of the trappings of reflection. The form captured in the painting
‘Lost again in the new house’ could be interpreted
as a literal framing of this idea. In this work a sense of
reverie and nostalgia has been seemingly frozen in the shape
of an amulet, like the lock of hair in a locket, yet even
here the evanescent quality of recall seems to disallow rigidity
of form to occur.
Working with acrylic on canvas Hylander has been described
as using ‘painting as archaeology’. In his work
paint is applied and scraped away in equal measure to create
mesmerising dreamscapes of interiors and still lives. Reworking
these traditional genres of painting, Hylander is able to
create scenes that are briefly tangible before they blur into
a sea of emotive textures and forms. There is a ghostly aura
in the subdued tones and use of light in the work that induce
this shift. Through Hylander’s dry use of colour the
paintings are imbued with a sense of transience, as if the
works are merely whispers of memories not quite fully grasped,
revisited through Hylander’s delicate command of the
brush. This glimmer of perceptible objects and scenes is carefully
crafted through the excavation of every inch of the canvas.
In submitting his canvases to this meticulous process Hylander
appears to be undertaking a kind of ontological study of the
environments and objects that surround us. The worn quality
that the paintings possess, as a result of this prolonged
investigation, is seemingly at odds with the fragility of
the imagery depicted and yet, somehow it strengthens the work’s
ability to suggest that memory is not fixed but instead it
can change through the abstraction of its retelling.
Thomas Hylander was born in Denmark in 1970 and moved to
the UK in 1997 after a period as a guest student at the Academy
of Fine Art in Warsaw, Poland. In 2004 he graduated from the
Royal College of Art with a MA in Fine Art. Hylander participated
in Bloomberg New Contemporaries as part of the Liverpool Biennale
that toured to the Barbican in 2004-5, London and also participated
in ARTfutures in 2005. In 2007 he had a solo show at Henningsen
Contemporary at Green Square, Copenhagen and is currently
participating in a group show at Karyn Lovegrove Gallery in
Los Angeles. He lives and works in London.
For further information or images please contact Kate Fisher:
+44(0) 20 8981 3344 or: kate@vilmagold.com
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Model Behavior
2008
acrylic on canvas
25.5 x 20 cm

Burnmarks
2008
acrylic on canvas
45 x 50 cm

Swamp Diary
2008
acrylic on canvas
45 x 35 cm

Chalklines
2008
acrylic on canvas
35 x 45 cm

First Painting (title TBC)
2009
acrylic on canvas
60 x 40 cm
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